Hospitality and Hope

The Coen brothers are sibling film-makers that have done some marvelous work. The movie, “O Brother, Where Art Thou?” is one of my absolute favorites with its spin on the Depression-era South and the imaginative use of Homer’s “Odyssey” as its inspiration. The dialogue is classic and includes some of the funniest truths you’ll ever hear. Without spoiling it, the main trio of characters are Everett McGill (George Clooney), Pete Hogwallop (John Turturro), and Delmar O’Donnel (Tim Blake Nelson), and they are on the run from the law. Their adventures, after their prison break, are a hoot, and there’s fodder for multiple sermons.

There’s an especially good segment that fits with this coming Sunday’s lectionary text from Acts 16:9-15. The text focuses on Paul’s visit to Philippi in Macedonia and preaching in Europe for the first time. Paul goes down by the river and meets Lydia and other women. Lydia and her whole household get baptized as Christians, and then she invites Paul and his entourage to stay at her house. The connection with the Coen movie is the river and baptism.

In the movie, vocalist Alison Krauss, sings “Down to the River to Pray,” in the background as the white-robed throng wade into the water. The three convicts look on. Delmar’s expression changes and he charges into the water to get baptized. When he comes out of the water he yells to Everett and Pete, “Well that’s it, boys. I’ve been redeemed. My sins have been washed away. Neither God nor man’s got nothin’ on me now. C’mon in boys, the water is fine.” Pete takes him up on the invitation. Everett, the semi-brainy one of the trio, has nothing to do with it and replies, “Even if that did put you square with the Lord, the State of Mississippi’s a little more hard-nosed.”

As hard-nosed as some are to forgive, the cleansing waters of baptism are just fine for everybody. That’s what Delmar, Pete and Lydia found out. God’s got enough grace to forgive what anybody might harbor against us. This isn’t to say that if we do the crime, we shouldn’t do the time. There is God’s justice to reckon with, but Jesus has taken God’s own wrath upon Himself and invites us all, “C’mon in boys and girls, the water is fine.” You might already be an almost Christian “God-worshipper” as Lydia is described in Acts 16, or a reprobate like Delmar who robbed a Piggly Wiggly in Yazoo. God is ready and willing to “warsh us clean,” using Delmar’s accent.

This passage has a lot to say about God’s welcome for us and our hospitality towards others in response. After she gets into the water, Lydia invites Paul and his group to stay at her house. Lydia becomes the first European convert to Christianity, and that makes this scene at Philippi a momentous one for most of us. Christianity makes its first foray outside of the Middle East, and, I daresay, since that’s not where most of us are from, this has huge consequences for all Christians. Lydia’s conversion and baptism literally sets the stage for the conversion of the world.

European converts carried the faith from Philippi up the Egnatian Way and the rest is history. Now, we all know that a lot of that history fostered a Christianity propagated by coercion and sword. Nevertheless, Lydia is a primary ancestor for many of us even if the methods were sometimes awful. Lydia’s being down by the river to pray changed her and the world. She experienced the same Jesus that inspired native peoples to forgive atrocities, slaves to forgive cruel masters, and poor people to forgive oppressive policies of institutional inequity. We need that same Jesus all over this world today.

So, the song, “Down to the River to Pray,” is just as important to sing now as ever. As a matter of conjecture, the song, has been attributed to multiple sources in its history. What is known for sure is that all of the groups that it is attributed to were people looking for hope and strength. They sung it as a way to keep the faith in times of darkness. Some have said it is a Negro Spiritual written and sung by African-Americans. Others say that it originated with Native-Americans, and some say it was an old folk song that gave hope to poverty stricken people in Appalachia. One of the first known written forms of the song was in The Southern Harmony and Musical Companion in 1835. Another was in a book titled Slave Songs of the United States published in 1867. Both of those specific dates remind me of Andrew Jackson’s forced removal of American Indians from the East, and the horrors of slavery.

Either way, it’s a song whose origin is born in poverty and pain. Some have declared that its lyrics which speak of going down into the water to pray, wearing a starry crown, and a desire for God to show the way are code language for oppressed people looking for a watery way to cover their tracks and scent, and an encouragement to use the stars as guides to find the way to freedom.

In a sense it’s what the words still mean today. God’s hospitality sets us free and forgives our sins, not by overlooking them, but by washing them away. Jesus is a Redeemer who is the Way, Truth, and Life. God’s hospitality is a model for us. It was for Lydia.

 

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